Artists

Oskar Lindberget tenor saxophone
Øystein Folkedal keyboards
Markus Kaardal guitar
Håkon Huldt-Nystrøm double bass
Tobias Rønnevig drums

CD info

Catalogue No: LOS 314-2
EAN: 7090025833144

1    Intro  1:53
2    Vår  6:16
3    MiRakel  5:34
4    Gulleborg  5:28
5    Mymble’s Theme  4:44
6    Duo (Breathe)  4:54
7    Evig  6:06
8    Bela Ivanderland  4:41
9    Interlude  1:27
10  Arp  7:58
11  Hymn to a Friend  2:54

Total time 51:55

Track list LP:
Side A
1 Arp  7:58
2 Mymble’s Theme  4:44
3 Gulleborg  5:28
4 Bela Ivanderland  4:41
Total Time 22:51

Side B
5 Interlude  1:27
6 Evig  6:06
7 Duo (Breathe)  4:54
8 MiRakel  5:34
9 Hymn to a Friend  2:54
Total Time 20:55

Catalogue No: LOS 314-1  180 gram vinyl
EAN: 7090025835216

All compositions by Oskar Lindberget except MiRakel by Øystein Folkedal

Recorded May 2024 and mixed October 2024 by Dag Erik Johansen at Athletic Sound, Halden, Norway
Mastered April 2025 by Morten Lund at Lund´s Lyd, Oslo, Norway
Produced by Oskar Lindberget
Executive producer Odd Gjelsnes
Cover photo by Kjersti Holst
Band photo by Johannes Rønning
Forest photos by Erik Egge Jordheim
Design by Max Franosch
Financial support from Talent Norge, Bandorg, and Trafo

The CD digisleeve in the link below:
Download Press Release (PDF)

Kjøp plater direkte fra Losen Records.

Kr 200,- per CD inkl. porto (fra 5.9.25)
Kr 350,- per 180gram LP inkl. porto (fra 5.9.25)

Vipps til 99006190 og mail navn og adresse til odd@losenrecords.no

This album represents a culmination of my musical career thus far, serving as an amalgamation of the various
stages and influences I’ve encountered along the way – through music school and the beginning of my professional
career. During these years I have worked with modern large ensemble and jazz orchestra music, discovered and
delved into the richness of Norwegian traditional music, and explored freer and contemporary music within both
classical and rhythmic traditions, all while studying a more straightforward jazz language at university. I believe
that, in one way or another, all these references are evident, either in the compositions or the playing, without the
music fitting completely into either of these genres.
For this project, I gathered some of the most talented musicians I know – individuals I’ve played with extensively
over the past five years.
Håkon is an extraordinary bass virtuoso with a rich tone, capable of playing virtually anything thrown his way. Yet,
he instinctively understands when to take on more nuanced, simpler roles that best serve the music. Tobias is a
versatile and highly musical drummer, with a wide range of musical references. With the most creative freedom
within the band, he consistently makes the right choices regarding roles and sounds, expertly balancing the
precision of a strict timekeeper with colouring and soundscaping. Markus exhibits an attention to detail in his
melodic playing and phrasing that evokes the finesse of working with a wind instrumentalist rather than a guitarist.
He demonstrates a keen awareness of his place within the ensemble, particularly in avoiding clashes with the
piano – a trait enabling our instrumentation. Øystein’s exceptional talent for adding parts, developing ideas, and
reworking harmonies has played a significant role in the shaping of these tunes. Beyond being a remarkable soloist,
Øystein is an incredibly attentive musician who is unafraid of assuming responsibility in the music. Øystein is also
the sole composer of the tune “MiRakel” and contributed to “Mymble’s Theme”, “Duo (Breathe)”, “Evig” and “Arp”.
Last year, I had the privilege of working with great coaches and mentors through Talent Norge. In particular, my
mentor, Hedvig Mollestad Thomassen, played a crucial role in realizing this project, aiding not only with the music
itself, but also with all the surrounding elements.
The opening track, “Vår” (with intro), is a lighthearted and naïve tune with ample room for spontaneity and
improvisation. It encapsulates an essential aspect of this album by allowing accessible melodies and uncomplicated
harmonies to simply be, without the expectations of having to be great art. The tracks “Bela Ivanderland” and
“Mymble’s Theme”, named after significant people and relationships in my life, embody these same ideas.
In contrast, “Gulleborg”, “Duo”, “Evig” and “Arp” illustrate a more profound and serious attitude, drawing inspiration
from the Nordic jazz scene, as well as elements of psalms and ritual music. They evoke a more sombre and
melancholic soundscape, yet without being overly rigid. The interlude and intro were improvised in the studio and
serve as palate cleansers between the full-length tunes.
The concluding track, “Hymn to a Friend”, was the last song written for the band, just before our studio session.
In many ways, it served as the album’s wildcard, as we didn’t properly rehearse in advance, and opted for a
different recording approach with layers and effects. I felt it was fitting to make it the title track, as it encapsulates
this entire project for me: an homage to past ideas and influences, while simultaneously being something new (and
a bit daunting) to undertake and challenge myself with.
Oskar Lindberget